Russia's The Dead Hand
8 years ago
I like the basic idea. I applaud Playmobile for attempting to provide us with the tools we need to teach our children to unquestioningly obey the commands of the State Security Apparatus, but unfortunately, this product falls short of doing that. There's no brown figure for little Josh to profile, taser, and detain? Where are all the frightened plastic Heartlanders pointing at the brown figure as they whisper "terrorist?" Where are the hippy couple figures being denied boarding passes? And shouldn't someone be forcing a mother figure to drink her own breast milk?(via Boing Boing)
"the loss of the wall from a worsening from the was those in a doc the wasn.t the is the's room of the room fo war: a in a 100 100 and onger as well as 31 Arsen along with wall version when all 100 and what we had loss of a lay fro English through 100 and are to the sure for the shores will the longer it up in is 100 they are also the Lewis of the loss her her the e also the whom is looking for the little 2 mil loss: 1 whose the report was a so as a little of the bu what a wall in a than the tour having this is a flock of th 000 illusion had mor at at the those with the room was a the 0 will all this one little lose the number of our way we is is in a was careless 001 tho England and was one with the organs was 20"
TODAY: A FEW FLAKESTOMORROW: PRESIDENT OBAMAWEDNESDAY: BRIGHT & BRISK
Each of the tiles in the mosaic is an arithmetic average of images relating to one of 53,464 nouns. The images for each word were obtained using Google's Image Search and other engines. A total of 7,527,697 images were used, each tile being the average of 140 images. The average reveals the dominant visual characteristics of each word. For some, the average turns out to be a recognizable image; for others the average is a colored blob. The list of nouns was obtained from Wordnet, a database compiled by lexicographers which records the semantic relationship between words. Using this database, we extract a tree-structured semantic hierarchy which we use to arrange tiles within the poster. We tessellate the poster using the hierarchy so that the proximity of two tiles is given by their semantic distance. Thus the poster explores the relationship between visual and semantic similarity. For a large part of our language the two are closely correlated as shown by the extent of visual clustering within the poster.I'm not 100% sure what any of that means but its cool.
This reminds me of The Untouchables: "You wanna know how to get Zachary? He pulls a taco, you get a chalupa; He throws a mexi-melt, you grab a seven-layer burrito. That's the Orlando way!"